Years of drawing in pencil quickly went by the wayside. My very first art class in college was Portraiture in Oil, and that’s when I became infatuated with painting. That’s how I discovered the work of Everett Raymond Kinstler. Although I haven’t studied portraiture at the Arts Student League or under a master, I feel I can learn a tremendous amount by studying the works of the greats. I myself am well into a commissioned portrait and enjoying the challenge very much. In future blogs I will follow up with several other candidates for the title of the greatest modern day portrait painter. There are so many styles of portraiture with every artist having their own flare that it’s somewhat hard to say definitively who is the “Sargent” of our time, but I think you will all agree that Everett Raymond Kinstler should be in the running. Like Sargent, you could almost feel the material in the clothing.
The background was white and Wolfe was dressed in a white suit, yet the painting popped and had vibrant brushwork. It was a grand painting, 44” by 56”, of the writer Thomas Wolfe. Jen and I were touring the National Portrait Gallery at the Smithsonian in Washington DC one day a number of years ago when we saw our first Kinstler painting. Born in 1926, he is now 90 and still painting! One living portrait painter who stands out as one of the greats of our time would have to be Everett Raymond Kinstler. Well, in my opinion there are a number of them who could wear the mantle. So who is the modern day “Sargent”? Who is the elites’ painter of choice when they wish to have their portrait painted? Who is the chosen one to paint the President of the United States, a Supreme Court judge, a King or Queen, or a celebrity? Sargent himself was greatly influenced by studying the portraits of the great Spanish painter Velazquez. He focused on capturing the essence of the subject along with likeness.Īnother commonality among the great modern portrait painters is that most of them have studied under someone of great renown or intensely studied the works of others. He painted over 900 oil paintings, many of them quite large (in the grand manner). John Singer Sargent lived from 1856-1925. Many of the great modern day portrait painters consider John Singer Sargent to be the best of his day and maybe of all time. If the person is not already an icon him/herself, they have to be an icon in the eyes of the artist - and in some cases, this means that the artist is going to make a self-portrait.In my limited research of the contemporary world of portrait painting I’ve discovered a common thread.
After we take a look at this list of some contemporary examples of paintings which became iconic in no time, we will come to realize that it is mostly the bond between the portraitist and the sitter that makes the picture iconic, as well as the choice of subject matter. It is not about the explicit beauty of the model either, although it does turn out to be quite helpful. It is certainly not just about the technique - Mona Lisa is not the only painting from da Vinci's oeuvre to present his outstanding skills. Still, for a portrait to become iconic it takes just a little something to complete the picture. More Info > Lastest Artwork Horse Traditional Chinese Painting Fine Brushwork 2. The contemporary artist has taken part in many art exhibitions at home and abroad and won awards. He teaches in several academies of fine art in China respectively. This is perhaps even more obvious in painting than in photography, since the time that an artists spends with his "sitter" is a precious one, as it allows for the artist to meet the model. Wei Wei (1962 - ) is a contemporary Chinese painter with master degree who is good at traditional Chinese painting.
#CONTEMPORARY PORTRAIT PAINTER FULL#
Probably the most successful portraits are the ones which help us realize that both the person in the painting and the one behind it are human beings, made out of flesh and blood, and full of true emotions. Did you ever think about some of the world-famous portraits made earlier in history, and how they got where they are today? What is it that makes a portrait become so popular and widespread, that it goes beyond painting and becomes an icon? And what does it, ultimately, mean, to make a portrait? It cannot simply be reduced to the most obvious fact - depicting other person.
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